Topic 6 of 6 · Form 6
Music technology, industry and intellectual property
Frequency (pitch), amplitude (loudness), harmonics and timbre; room acoustics and reverberation.
Notes for this topic 1 file, in order
Create a free account to download PDFs.
Sound and acoustics
Frequency (pitch), amplitude (loudness), harmonics and timbre; room acoustics and reverberation.
Recording and production
Microphones (dynamic and condenser) and placement, multitrack recording, mixing (EQ, compression, reverb, panning), mastering, and file formats (WAV, MP3).
Music industry
Roles: artists, songwriters, producers, managers, promoters, labels, distributors, broadcasters and streaming platforms. Revenue streams: live performance, recordings and streaming, publishing, synchronisation (film and adverts), merchandise.
Intellectual property
- Copyright protects musical works and sound recordings (Zimbabwe's Copyright and Neighbouring Rights Act).
- Collecting societies: ZIMURA collects royalties for composers and publishers.
- Piracy and digital copying; licensing; the public domain.
Careers and entrepreneurship
Performance, teaching, composition, sound engineering, music business, music therapy and arts administration; building a brand and marketing through social media.
Policy
Local content quotas on broadcasting supported Zimbabwean music; arts councils and festivals (e.g. HIFA, Intwasa Arts Festival koBulawayo) promote musicians.
Check yourself
- What does a compressor do in mixing?
- Name the organisation that collects royalties for Zimbabwean composers.
- Give two revenue streams for musicians.
Show answers
- It reduces the dynamic range, making quiet parts louder relative to loud parts and controlling peaks.
- ZIMURA (Zimbabwe Music Rights Association).
- Any two: live shows, streaming/sales, publishing royalties, synchronisation, merchandise.
Questions about this topic (0)
No questions about this topic yet.
Sign in or create a free account to join in.