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Topic 6 of 6 · Form 6

Music technology, industry and intellectual property

Frequency (pitch), amplitude (loudness), harmonics and timbre; room acoustics and reverberation.

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  1. PDFMusic technology, industry and intellectual property – Musical Arts notes (ZIMSEC A Level)47.1 KB

Sound and acoustics

Frequency (pitch), amplitude (loudness), harmonics and timbre; room acoustics and reverberation.

Recording and production

Microphones (dynamic and condenser) and placement, multitrack recording, mixing (EQ, compression, reverb, panning), mastering, and file formats (WAV, MP3).

Music industry

Roles: artists, songwriters, producers, managers, promoters, labels, distributors, broadcasters and streaming platforms. Revenue streams: live performance, recordings and streaming, publishing, synchronisation (film and adverts), merchandise.

Intellectual property

  • Copyright protects musical works and sound recordings (Zimbabwe's Copyright and Neighbouring Rights Act).
  • Collecting societies: ZIMURA collects royalties for composers and publishers.
  • Piracy and digital copying; licensing; the public domain.

Careers and entrepreneurship

Performance, teaching, composition, sound engineering, music business, music therapy and arts administration; building a brand and marketing through social media.

Policy

Local content quotas on broadcasting supported Zimbabwean music; arts councils and festivals (e.g. HIFA, Intwasa Arts Festival koBulawayo) promote musicians.

Exam tip: Explain how a song earns money from several sources (performance, mechanical and synchronisation rights).

Check yourself

  1. What does a compressor do in mixing?
  2. Name the organisation that collects royalties for Zimbabwean composers.
  3. Give two revenue streams for musicians.
Show answers
  1. It reduces the dynamic range, making quiet parts louder relative to loud parts and controlling peaks.
  2. ZIMURA (Zimbabwe Music Rights Association).
  3. Any two: live shows, streaming/sales, publishing royalties, synchronisation, merchandise.
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